June 27 – July 24, 2022 Virtual Book Tour
A magician-turned-sleuth in pre-war London solves three impossible crimes
In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who traffics in illusions?
Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colorful cast of suspects among the psychiatrist’s patients and household, they uncover no shortage of dark secrets―or motives for murder. When the investigation dovetails into that of an apparently-impossible theft, the detectives consider the possibility that the two transgressions are related. And when a second murder occurs, this time in an impenetrable elevator, they realize that the crime wave will become even more deadly unless they can catch the culprit soon.
A tribute to the classic golden-age whodunnit, when crime fiction was a battle of wits between writer and reader, Death and the Conjuror joins its macabre atmosphere, period detail, and vividly-drawn characters with a meticulously-constructed fair play puzzle. Its baffling plot will enthrall readers of mystery icons such as Agatha Christie and John Dickson Carr, modern masters like Anthony Horowitz and Elly Griffiths, or anyone who appreciates a good mystery.
Praise for Death and the Conjuror:
“This debut, a tribute to John Dickson Carr and other Golden Age masters of the locked-room mystery, will appeal to nostalgia buffs and fans of the classics”
“Set in London, Mead’s stellar debut and series launch, an homage to golden age crime fiction, in particular the works of John Dickson Carr, introduces magician Joseph Spector. […] Mead maintains suspense throughout, creating a creepy atmosphere en route to satisfying reveals. Puzzle mystery fans will eagerly await the sequel.”
“Mead’s debut novel is a valentine to the locked-room puzzles of John Dickson Carr, to whom it is dedicated […] Mead faithfully replicates all the loving artifice and teasing engagement of golden-age puzzlers in this superior pastiche.”
Published by: Mysterious Press
Publication Date: July 12th 2022
Number of Pages: 254
ISBN: 1613163193 (ISBN13: 9781613163191)
Series: Joseph Spector #1
Book Links: Amazon | Barnes & Noble | Goodreads | The Mysterious Bookshop
Read an excerpt:
Olive already had the phone in her hand. “Two three one, Dollis Hill,” she announced. “Dr. Anselm Rees has been murdered.”
While she provided a few scant details, she looked around the room and noticed something.
“The windows are locked,” she said as she hung up the phone.
“Mm?” Della sounded startled.
“The windows. They’re locked on the inside.” To prove this, she gripped one of the handles and rattled it. It would not move, and the key protruded from the lock.
“Then how did the killer get away?”
“What do you mean?”
“He can’t have come out through the hall. I was there the whole time. And not five minutes ago—not five minutes—I can tell you that the doctor was alive and well in this room because I heard him talking on the telephone.”
Della thought about this. “It can’t be locked.” She reached out and tried the handle for herself. But the windows did not budge.
“It’s locked on the inside,” said Olive, “just like the door.”
Della turned and looked at the corpse. He had sunk down in the chair like an unmanned hand puppet.
In the far corner of the room lay the wooden trunk. Olive caught Della’s eye and nodded toward it. Della frowned incredulously. Olive shrugged, as if to say, Where else would he be?
The two women crept across the soft plush carpet toward the trunk. Olive looked at Della and held a finger to her lips. She seized the poker from the fireplace and raised it above her head. Then she gave Della a quick nod.
Della leaned forward and wrenched open the trunk.
Olive let fly a fierce war cry and swung the poker like a tennis racquet. But all she hit was empty air. The two women peered inside the trunk. It was perfectly empty.
Olive led the way to the kitchen—but not before pulling shut the study door behind her, sealing in the late Dr. Rees once again.
They both felt slightly better after a tot of brandy. No less horrified, but more prepared to deal with the practicalities of the situation.
“What I don’t understand,” Della said, “is where the killer could have gone.”
“Nowhere,” said Olive. “There was nowhere for him to go.”
Excerpt from Death and the Conjuror by Tom Mead. Copyright 2022 by Tom Mead. Reproduced with permission from Tom Mead. All rights reserved.
Tom Mead is a UK crime fiction author specialising in locked-room mysteries. He is a member of the Crime Writers’ Association, International Thriller Writers, and the Society of Authors. He is a prolific author of short fiction, and recently his story “Heatwave” was included in THE BEST MYSTERY STORIES OF THE YEAR 2021, edited by Lee Child. DEATH AND THE CONJUROR is his first novel.
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