October 1-31, 2021 Virtual Book Tour
~ Guest Post ~
4 Ways To Build Memorable Characters
By Emily C. Whitson
At the crux of any good story is a memorable character. If the character falls flat, then so will the story. Here are five techniques I use to keep characters both interesting and realistic.
Names are important, which is why I change them approximately 7 times in the writing process. (My editor loves this.) It’s a nice touch if names, in some way, represent the character. For example, I chose the name “Reese Marigold” in Beneath the Marigolds because my character was vulnerable, romantic, and beautiful — much like a flower. Marigolds, in particular, are known as companion plants; they help surrounding flowers grow. My character, Reese, has a similar effect on Ann, the primary protagonist of the story.
Having some symbolism behind names will not only give your characters an added layer of depth, but it will also help readers remember your characters — which is particularly important if you have a large cast of players.
Some writers, like Stephen King, believe it’s best to keep physical characteristics vague. I disagree. When I’m reading, I want to be able to see the characters in my head. In my opinion, no one does this better than J. K. Rowling. Take this description of Mrs. Dursley:
“Mrs. Dursley…had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbours” (Harry Potter and the Sorcerer’s Stone, p. 1).
Not only can I visualize Mrs. Dursley, but I also know everything I need to know about her personality.
The key here is uniqueness. Scars, tattoos, and bubblegum-pink hair stand out. An attractive, brunette woman? Not so much.
Accent, pitch, and speed are important aspects of characterization. Like names and physical characteristics, speech can also give readers an insight into the character’s personality and backstory. Does the character talk so fast it makes your head hurt? Does the character mumble? Is the character from the city, or the suburbs?
In addition to adding depth to the character, different speech patterns help readers differentiate between characters when reading dialogue.
This is one of the most important aspects to characterization, if not the most important aspect. Character goals are what drive the story — it’s what creates conflict and resolution. In fact, at its most basic, a story is a character overcoming obstacles to reach a goal. It’s a man trying to save his kidnapped daughter. It’s a scorned woman getting revenge on her adulterous husband. It’s a woman trying to find her missing friend on an isolated island.
It’s okay to write without a firm outline, but it’s essential to write with fully-formed characters — with their own unique goals and history — in mind. Otherwise, your story will be inconsistent, unbelievable, and unmemorable.
Playing on our universal fascination with reality TV, Emily C. Whitson’s Beneath the Marigolds is The Bachelor(ette) gone terribly wrong.
When her best friend, Reese Marigold, goes missing after attending Last Chance, an exclusive singles’ retreat on a remote island off the coast of Hawaii, no-nonsense lawyer Ann Stone infiltrates the retreat.
Ann quickly realizes there’s more to Last Chance than meets the eye. The extravagant clothes, never-ending interviews, and bizarre dates hint that the retreat is a front for a reality dating show. Could Reese be safe, keeping a low profile until the premier, or did something sinister occur after all?
Torn between the need to uncover the truth and her desperate desire to get off the island, Ann partakes in the unusual routines of the “journey to true love” and investigates the other attendees who all have something to hide. In a final attempt to find Reese on the compound, she realizes that she herself may never get off the island alive.
Praise for Beneath the Marigolds:
“Cleverly plotted…Whitson’s debut novel is an intriguing new entry in the women’s suspense genre, driven by dual first-person narrators and tension-filled parallel timelines.”— Carmen Amato, Silver Falchion Award Finalist and author of The Detective Emilia Cruz Mystery Series
“Exhilarating twists and turns…a fast-paced psychological thriller that mashes up the reality series The Bachelor with Gone Girl.” — Helen Power, author of The Ghosts of Thorwald Place
“A fun, propulsive read…this book cleverly combines the archetypes of “reality TV” and the “trapped-on-a-remote-island” mystery that will perpetually keep you guessing.” — Marcy McCreary, author of The Disappearance of Trudy Solomon
Published by: CamCat Books
Publication Date: September 21st 2021
Number of Pages: 320
ISBN: 0744304202 (ISBN13: 9780744304206)
Purchase Links: Amazon | Barnes & Noble | Goodreads | CamCat Books
Read an excerpt:
I knew too much. On that island, on that godforsaken singles’ retreat. I knew too much.
I ruminated on that thought, chewing it carefully, repeatedly, while Magda, the makeup artist, transformed me into a life-size nightmarish porcelain doll. Ghastly white face, penciled-in eyebrows, blood-red lips. I’d look beautiful from a distance, she had told me, leaving the other part of the sentence unspoken: up close, it’s frightening. She tsked as she dabbed my damp forehead for the fourth time, her Russian accent thickening with frustration.
“Vhy you sveating so much?”
I worried my voice would come out haggard, so I shrugged, a little too forcefully. Magda shook her head, her pink bob sashaying in the grand all-white bathroom as she muttered something foreign under her breath. My gaze danced across the various makeup brushes on the
vanity until it landed on one in particular. I shifted my weight in the silk- cushioned chair, toyed with my watch.
“Magda, what do you want out of this retreat?” No response.
Did she not hear me, or did she choose not to respond? In the silence, I was able to hear Christina’s high-heeled feet outside the bathroom.
Click, clack. Click, click.
When I first met the host of the singles’ retreat, I was in awe of her presence, her unflappable poise. Shoulders back, she walked with a purpose, one foot in front of another, and though she was a couple inches shorter than I was, she seemed larger than life. Her icy eyes, colored only the faintest shade of blue, seemed to hold the secrets of the world—secrets she intended to keep. But I had stumbled upon them just a few short hours before, and I was now afraid her gait represented something more sinister: the march of an executioner.
Click, clack. Click, clack.
Her stride matched the even tick of my watch, and a drop of sweat trickled down my back. Was I being ridiculous? Surely Christina wouldn’t hurt me. She had been reasonable with me earlier, hadn’t she? “One meenute,” Magda shouted at the retreat’s host. She doused
my fire-red curls in hairspray one last time before asking me if I was ready to go.
“I just need to use the bathroom.” I wheezed through shallow breaths. “I’ll be right out.”
Magda exaggerated her sigh before shuffling out of the white-marble immurement, closing the doors behind her with a huff. My last remnants of safety and rational thinking left with her.
I shoved the vanity chair underneath the door handle. I grabbed the makeup brush with the flattest head and hurried to the bathroom. I gingerly closed the lid of the toilet and slipped off my heels before tip-
toeing on top so I could face the window. After removing the beading, I inserted the head of the makeup brush between the frame and glass. The brush’s handle cracked under the pressure, but it was enough to lever the glass out of its mounting. I placed the glass on the floor as gently as I’ve ever handled any object, trying not to make even the slightest sound, before hoisting myself up and through the window. I jumped into the black night, only partially illuminated by the full moon and the artificial lights of the mansion. I allowed my eyes to adjust.
And then I ran.
The loose branches of the island forest whipped at my cheeks, my limbs, my mouth. The soles of my feet split open from fallen twigs and other debris, but the adrenaline kept the pain at bay. I tripped over something unseen, and my hands broke my fall. Just a few cuts, and a little blood. I couldn’t see it, but I could feel it.
I jumped up, forcing myself to keep moving. The near darkness was blinding, so I held my bloody hands up, trying to block my face. The farther I ran, the more similar the trunks of the trees became. How long had I been running? I gauged about a mile. I slowed down to gather my bearings. Behind me, the lights of the mansion brightened the sky, but they were only the size of my palm from that distance.
I heard the hum of a moving car come and go. I must have been near the road. I was about to start moving again when I heard the snap of twigs. Footsteps. I stopped breathing. I swiveled to my left and right, but nothing. I exhaled. It was just my imagination. I continued away from the lights. Away from the retreat.
And then someone stepped toward me: Christina. Her face was partially obscured by darkness, but her pale eyes stood out like fireflies. “It doesn’t have to be like this,” she said. Her expression remained
a mystery in the darkness.
I turned around, but one of her handlers was blocking that path.
Christina took another step forward, and I jerked away, tripping over the gnarled roots of the forest in the process. My head broke the fall this time, and my ears rang from the pain.
Her handler reached for my left hand, and for a moment, I thought he was going to help me stand. Instead, he twisted my ring finger into an unnatural position. As my bone cracked, my screams reverberated through the woods.
It was showtime.
Excerpt from Beneath the Marigolds by Emily C. Whitson. Copyright 2021 by Emily C. Whitson. Reproduced with permission from CamCat Books. All rights reserved.
Emily Whitson received a B.A. in journalism from the University of North Carolina at Chapel Hill. She worked as a marketing copywriter for six years before pursuing a career in fiction and education. She is currently getting her M.Ed. at Vanderbilt University, where she writes between classes. She is particularly passionate about women’s education and female stories. This interest stems from her time at Harpeth Hall, an all-girls college preparatory school in Nashville, Tennessee. When she isn’t volunteering, writing, or in the classroom, Emily can usually be found with her dog, Hoss, in one of Nashville’s various parks. Beneath the Marigolds is her debut novel.
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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Emily C. Whitson & CatCam Books. There will be 1 winner of one (1) print edition of Beneath the Marigolds by Emily C. Whitson (US, Canada, and UK Only). The giveaway runs October 1 through November 2, 2021. Void where prohibited.