#BookReview “The Murderess Must Die” by Marlie Wasserman

August 16 – September 10, 2021 Tour

Murderess Must Die cover

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5/5 Stars!

I enjoyed every word of this amazing read of historical fiction even if I cared for few of the characters.  But don’t get me wrong. Not liking most of the players had nothing to do with flat, boring characters and everything to do with how well-written they were. While several characters possessed few redeeming social qualities, for me the worst was N.B. Thompson, the Places neighbor. All of his “efforts” to “help” made the former clergyman come across as self-serving, seeking attention and notoriety in the midst of death and suffering. The press came in a close second, behaving much like present-day media… writing news with a few facts buried in sensationalism.

Though told for the most part from Martha “Mattie” Place’s point of view,  several POVs from her siblings to her husbands to her defense counsel are included. And every single word enriches the story.

While her life began as one of poverty, abuse, and neglect, for me, Mattie was still an unsympathetic character. I hesitate to call her a protagonist because the woman could try and antagonize the patience of the saints.

Mattie is also a losing argument for nature versus nurture. She eventually rose from poverty to a life of status but it didn’t change who/what she was. To be fair, it was in part because she was still looked down on and treated with contempt. All that did was make a mean Mattie Place even meaner!

Despite her flaws, it didn’t help that most of those Mattie had contact with during her life saw her as a means to an end, even when she tried to do the right thing. Even the main concerns of the many members of her defense team was payment for their services and how representing “the murderess” could bolster—or harm—their careers.

Along with her own words and actions, in the end, it was also the treatment of women near the end of the nineteenth century that completed Mattie’s undoing.

Based on a true crime, Wasserman’s flawless writing makes it difficult to tell the historical from the fiction. The Murderess Must Die is an engrossing read I highly recommend!

Enjoy!

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Synopsis:

 

On a winter day in 1898, hundreds of spectators gather at a Brooklyn courthouse, scrambling for a view of the woman they label a murderess. Martha Place has been charged with throwing acid in her stepdaughter’s face, hitting her with an axe, suffocating her with a pillow, then trying to kill her husband with the same axe. The crowd will not know for another year that the alleged murderess becomes the first woman in the world to be executed in the electric chair. None of her eight lawyers can save her from a guilty verdict and the governor of New York, Theodore Roosevelt, refuses to grant her clemency.

Was Martha Place a wicked stepmother, an abused wife, or an insane killer? Was her stepdaughter a tragic victim? Why would a well-dressed woman, living with an upstanding husband, in a respectable neighborhood, turn violent? Since the crime made the headlines, we have heard only from those who abused and condemned Martha Place.

Speaking from the grave she tells her own story, in her own words. Her memory of the crime is incomplete, but one of her lawyers fills in the gaps. At the juncture of true crime and fiction, The Murderess Must Die is based on an actual crime. What was reported, though, was only half the story.

Praise for The Murderess Must Die:

A true crime story. But in this case, the crime resides in the punishment. Martha Place was the first woman to die in the electric chair: Sing Sing, March 20, 1899. In this gorgeously written narrative, told in the first-person by Martha and by those who played a part in her life, Marlie Parker Wasserman shows us the (appalling) facts of fin-de-siècle justice. More, she lets us into the mind of Martha Place, and finally, into the heart. Beautifully observed period detail and astute psychological acuity combine to tell us Martha’s story, at once dark and illuminating. The Murderess Must Die accomplishes that rare feat: it entertains, even as it haunts.
Howard A. Rodman, author of The Great Eastern

The first woman to be executed by electric chair in 1899, Martha Place, speaks to us in Wasserman’s poignant debut novel. The narrative travels the course of Place’s life describing her desperation in a time when there were few opportunities for women to make a living. Tracing events before and after the murder of her step-daughter Ida, in lean, straightforward prose, it delivers a compelling feminist message: could an entirely male justice system possibly realize the frightful trauma of this woman’s life? This true-crime novel does more–it transcends the painful retelling of Place’s life to expand our conception of the death penalty. Although convicted of a heinous crime, Place’s personal tragedies and pitiful end are inextricably intertwined.
Nev March, author of Edgar-nominated Murder in Old Bombay

The Murderess Must Die would be a fascinating read even without its central elements of crime and punishment. Marlie Parker Wasserman gets inside the heads of a wide cast of late nineteenth century Americans and lets them tell their stories in their own words. It’s another world, both alien and similar to ours. You can almost hear the bells of the streetcars.
Edward Zuckerman, author of Small Fortunes and The Day After World War Three, Emmy-winning writer-producer of Law & Order

This is by far the best book I have read in 2021! Based on a true story, I had never heard of Mattie Place prior to reading this book. I loved all of the varying voices telling in the exact same story. It was unique and fresh and so wonderfully deep. I had a very hard time putting the book down until I was finished!
It isn’t often that an author makes me feel for the murderess but I did. I connected deeply with all of the people in this book, and I do believe it will stay with me for a very long time.
This is a fictionalized version of the murder of Ida Place but it read as if the author Marlie Parker Wasserman was a bystander to the actual events. I very highly recommend this book.
Jill, InkyReviews

Book Details:

Genre: Historical Crime Fiction

Published by: Level Best Books

Publication Date: July 6, 2021

Number of Pages: 250

ISBN: 978-1953789877

Purchase Links: Amazon | Goodreads

~~~

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

~~~

Join In To Win!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Marlie Parker Wasserman. There will be 1 winner of one (1) Amazon.com Gift Card (U.S. ONLY). The giveaway runs from August 16th until September 12, 2021. Void where prohibited.

a Rafflecopter giveaway

 

Get More Great Reads at Partners In Crime Virtual Book Tours

~~~

#KindleCountdown “HUSH GIRL: It’s Only a Dream” by Gloria Zachgo

Hush Girl cover

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While Nicki Reed is desperate to find the answers to her past, someone is desperate for her to never remember.

Shortly after her father died, Nicki’s nightmares started. They were soon followed by panic attacks. Suspecting her haunting dreams were related to her childhood, Nicki sought professional help, but Nicki was unable to verbalize any memories she had as a child. Bad things happened when she told secrets.

When her therapist suggested she write her memories, Nicki started remembering things she had pushed far into the recesses of her mind. She started to doubt her own sanity, and when she began to see a strange woman stalking her, she couldn’t be sure if that woman was real or imagined. Yet, Nicki couldn’t tell anyone, until—her own family’s welfare was threatened.

99c for a limited time! (Returns to regular price Wednesday afternoon!)

Kindle Unlimited

Amazon

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#FREE “Claiming His Need (Feral Breed Motorcycle Club Series Book 2)” by Ellis Leigh

Blogger’s Choice!

Seven years later STILL my favorite Shifter series!

Grab book 2 today!

Feral Breed cover

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He waited four hundred years for her…
She only ever wanted to find her mate…
Their time has come.

Gates is a legend among his fellow wolf shifters. For more than four centuries, he’s lived without a mate, something nearly unheard of in his breed. He’s spent that time mastering the art of the kill, becoming a lethal weapon for the Feral Breed Motorcycle Club, and earning a reputation as the Gatekeeper.

Kaija Wariksen grew up as the Valkoisus pack princess. The Alpha’s only daughter and a powerful Omega shewolf, Kaija’s beauty and place within the pack hierarchy makes her the focus of desire for many of the unmated males, especially one she’s desperate to stay away from. She’d rather wait for her fated mate than be just another bed warmer for a man with more attitude than brains.

But when a territory dispute turns into a kidnapping, Gates and his Feral Breed brothers are called to assist the Valkoisus pack in a rescue operation. Gates soon discovers there’s more in store for him than a fight. He finds his mate in the Alpha’s daughter, a woman targeted by a mystery sect kidnapping Omega shifters. To keep the Valkoisus pack safe, the Feral Breed must put Kaija in danger, risking the only thing Gates has ever needed, and igniting a rage that could destroy the entire wolf shifter population.

Full-length novel – adult content featuring a rough-and-tumble wolf shifter, a brave BBW, and some naughty time spent outdoors.

FREE for a limited time at all online digital retailers!

(Book 1 – Claiming His Fate is also currently free!)
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#BookBlitz “Oil and Dust (The Elemental Artist, Book One)” by Jami Fairleigh

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The Elemental Artist, Book One

 

Fantasy

 

Date Published: September 1, 2021

Publisher: Kitsune Publishing

 

Politics, Money, Power, Religion, and Greed. These are the things we never again need.

Artist Matthew Sugiyama can alter the physical world with his art. As the top student graduating from the prestigious Popham Abbey, Matthew Sugiyama’s future is secure… until he bucks convention and begins a journey to find answers about his birth family. The trouble is, he doesn’t know who or where they are.

Determined to find answers, but without a clear destination, Matthew sets out on horseback across a post-technology world, guided only by random flashes of a vision or long-buried memory. Using his skills as an artist to barter for hospitality and supplies, Matthew soon learns his sheltered upbringing has left him wholly unprepared to face the obstacles on the road or his unexpected yearning to join the communities he encounters. When he uncovers a mysterious adversary’s plan to harm the people he’s come to care for, Matthew must decide what’s more important; the adopted family he has created, or his need for answers about his past.

Oil and Dust is the first book in the gripping Elemental Artist series. If you like low fantasy quests and character-driven stories, you’ll love Jami Fairleigh’s page-turning tale.

Upcoming Books in the The Elemental Artist Series:

Graphite and Turbulence

The Elemental Artist, Book 2

Coming March 2022

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About the Author

Jami Fairleigh is a writer, urban planner, and hobby collector from Washington. She shares her life with a husband, a trio of well-mannered horses, a pair of dubiously behaved parrots, and one neurotic dog. You can find her and more information about her writing at jamifairleigh.com.

 

Contact Links

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RABT Book Tours & PR

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#FREE “Where Light Shines (Jasmine Cottage Book 3)” by Maureen Driscoll

cover

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From the author of the Kellington and Emerson Regency romances, comes the third book in the Jasmine Cottage series set in the early Victorian era.

Daphne Peyton lives a quiet life in the country, a welcome change from a traumatic childhood. With little chance of marrying because of her modest background, she contents herself with her art and the dear friends she lives with at Jasmine Cottage. But when she gets the chance to help queen and country, she jumps at the chance to have an adventure, especially one with such a handsome gentleman.

Jeremy Beckett is recently retired after a career as a spy on the continent. But when an old foe appears, he’s pressed into service once again. This time, he needs the help of a beautiful woman who’s an expert on art. After a career of violence and lies, Jeremy isn’t certain he can give his heart to anyone. However, the more time he spends with Daphne Peyton, the more he hopes it’s possible.

WHERE LIGHT SHINES is the story of two wounded souls who find true love with each other. It contains a tiny bit of history and a fair amount of graphic language of a sexual nature.

#FREE for a limited time!

Kindle Unlimited

Amazon US

Amazon UK

~~~

#BookTour “The Murderess Must Die” by Marlie Wasserman

The Murderess Must Die by Marlie Wasserman Banner

August 16 – September 10, 2021 Tour

Synopsis:

The Murderess Must Die by Marlie Wasserman

On a winter day in 1898, hundreds of spectators gather at a Brooklyn courthouse, scrambling for a view of the woman they label a murderess. Martha Place has been charged with throwing acid in her stepdaughter’s face, hitting her with an axe, suffocating her with a pillow, then trying to kill her husband with the same axe. The crowd will not know for another year that the alleged murderess becomes the first woman in the world to be executed in the electric chair. None of her eight lawyers can save her from a guilty verdict and the governor of New York, Theodore Roosevelt, refuses to grant her clemency.

Was Martha Place a wicked stepmother, an abused wife, or an insane killer? Was her stepdaughter a tragic victim? Why would a well-dressed woman, living with an upstanding husband, in a respectable neighborhood, turn violent? Since the crime made the headlines, we have heard only from those who abused and condemned Martha Place.

Speaking from the grave she tells her own story, in her own words. Her memory of the crime is incomplete, but one of her lawyers fills in the gaps. At the juncture of true crime and fiction, The Murderess Must Die is based on an actual crime. What was reported, though, was only half the story.

Praise for The Murderess Must Die:

A true crime story. But in this case, the crime resides in the punishment. Martha Place was the first woman to die in the electric chair: Sing Sing, March 20, 1899. In this gorgeously written narrative, told in the first-person by Martha and by those who played a part in her life, Marlie Parker Wasserman shows us the (appalling) facts of fin-de-siècle justice. More, she lets us into the mind of Martha Place, and finally, into the heart. Beautifully observed period detail and astute psychological acuity combine to tell us Martha’s story, at once dark and illuminating. The Murderess Must Die accomplishes that rare feat: it entertains, even as it haunts. Howard A. Rodman, author of The Great Eastern

The first woman to be executed by electric chair in 1899, Martha Place, speaks to us in Wasserman’s poignant debut novel. The narrative travels the course of Place’s life describing her desperation in a time when there were few opportunities for women to make a living. Tracing events before and after the murder of her step-daughter Ida, in lean, straightforward prose, it delivers a compelling feminist message: could an entirely male justice system possibly realize the frightful trauma of this woman’s life? This true-crime novel does more–it transcends the painful retelling of Place’s life to expand our conception of the death penalty. Although convicted of a heinous crime, Place’s personal tragedies and pitiful end are inextricably intertwined. Nev March, author of Edgar-nominated Murder in Old Bombay

The Murderess Must Die would be a fascinating read even without its central elements of crime and punishment. Marlie Parker Wasserman gets inside the heads of a wide cast of late nineteenth century Americans and lets them tell their stories in their own words. It’s another world, both alien and similar to ours. You can almost hear the bells of the streetcars. Edward Zuckerman, author of Small Fortunes and The Day After World War Three, Emmy-winning writer-producer of Law & Order

This is by far the best book I have read in 2021! Based on a true story, I had never heard of Mattie Place prior to reading this book. I loved all of the varying voices telling in the exact same story. It was unique and fresh and so wonderfully deep. I had a very hard time putting the book down until I was finished! It isn’t often that an author makes me feel for the murderess but I did. I connected deeply with all of the people in this book, and I do believe it will stay with me for a very long time. This is a fictionalized version of the murder of Ida Place but it read as if the author Marlie Parker Wasserman was a bystander to the actual events. I very highly recommend this book. Jill, InkyReviews

Book Details:

Genre: Historical Crime Fiction

Published by: Level Best Books

Publication Date: July 6, 2021

Number of Pages: 250

ISBN: 978-1953789877

Purchase Links: Amazon | Goodreads

~~~

Read an excerpt:

Mattie

Martha Garretson, that’s the name I was born with, but the district attorney called me Martha Place in the murder charge. I was foolish enough to marry Mr. William Place. And before that I was dumb enough to marry another man, Wesley Savacool. So, my name is Martha Garretson Savacool Place. Friends call me Mattie. No, I guess that’s not right. I don’t have many friends, but my family, the ones I have left, they call me Mattie. I’ll tell you more before we go on. The charge was not just murder. That D.A. charged me with murder in the first degree, and he threw in assault, and a third crime, a ridiculous one, attempted suicide. In the end he decided to aim at just murder in the first. That was enough for him.

I had no plans to tell you my story. I wasn’t one of those story tellers. That changed in February 1898, soon after my alleged crimes, when I met Miss Emilie Meury. The guards called her the prison angel. She’s a missionary from the Brooklyn Auxiliary Mission Society. Spends her days at the jail where the police locked me up for five months before Sing Sing. I never thought I’d talk to a missionary lady. I didn’t take kindly to religion. But Miss Meury, she turned into a good friend and a good listener. She never snickered at me. Just nodded or asked a question or two, not like those doctors I talked to later. They asked a hundred questions. No, Miss Meury just let me go wherever I wanted, with my recollections. Because of Miss Meury, now I know how to tell my story. I talked to her for thirteen months, until the day the state of New York set to electrocute me.

We talked about the farm, that damn farm. Don’t fret, I knew enough not to say damn to Emilie Meury. She never saw a farm. She didn’t know much about New Jersey, and nothing about my village, East Millstone. I told her how Pa ruined the farm. Sixty acres, only thirty in crop, one ramshackle house with two rooms down and two rooms up. And a smokehouse, a springhouse, a root cellar, a chicken coop, and a corn crib, all run down, falling down. The barn was the best of the lot, but it leaned over to the west.

They tell me I had three baby brothers who died before I was born, two on the same day. Ma and Pa hardly talked about that, but the neighbors remembered, and they talked. For years that left just my brother Garret, well, that left Garret for a while anyway, and my sister Ellen. Then I was born, then Matilda—family called her Tillie—then Peter, then Eliza, then Garret died in the war, then Eliza died. By the time I moved to Brooklyn, only my brother Peter and my sister Ellen were alive. Peter is the only one the police talk to these days.

The farmers nearby and some of our kin reckoned that my Ma and Pa, Isaac and Penelope Garretson were their names, they bore the blame for my three little brothers dying in just two years. Isaac and Penelope were so mean, that’s what they deserved. I don’t reckon their meanness caused the little ones to die. I was a middle child with five before me and three after, and I saw meanness all around, every day. I never blamed anything on meanness. Not even what happened to me.

On the farm there was always work to be done, a lot of it by me. Maybe Ma and Pa spread out the work even, but I never thought so. By the time I was nine, that was in 1858, I knew what I had to do. In the spring I hiked up my skirt to plow. In the fall I sharpened the knives for butchering. In the winter I chopped firewood after Pa or Garret, he was the oldest, sawed the heaviest logs. Every morning I milked and hauled water from the well. On Thursdays I churned. On Mondays I scrubbed. Pa, and Ma too, they were busy with work, but they always had time to yell when I messed up. I was two years younger than Ellen, she’s my sister, still alive, I think. I was taller and stronger. Ellen had a bent for sewing and darning, so lots of time she sat in the parlor with handiwork. I didn’t think the parlor looked shabby. Now that I’ve seen fancy houses, I remember the scratched and frayed chairs in the farmhouse and the rough plank floor, no carpets. While Ellen sewed in the parlor, I plowed the fields, sweating behind the horses. I sewed too, but everyone knew Ellen was better. I took care with all my chores. Had to sew a straight seam. Had to plow a straight line. If I messed up, Pa’s wrath came down on me, or sometimes Ma’s. Fists or worse.

When I told that story for the first time to Miss Emilie Meury, she lowered her head, looked at the Bible she always held. And when I told it to others, they looked away too.

On the farm Ma needed me and Ellen to watch over our sisters, Tillie and Eliza, and over our brother Peter. They were born after me. Just another chore, that’s what Ellen thought about watching the young ones. For me, I liked watching them, and not just because I needed a rest from farm work. I loved Peter. He was four years younger. He’s not that sharp but he’s a good-natured, kind. I loved the girls too. Tillie, the level-headed and sweet one, and Eliza, the restless one, maybe wild even. The four of us played house. I was the ma and Peter, he stretched his back and neck to be pa. I laughed at him, in a kindly way. He and me, we ordered Tillie and Eliza around. We played school and I pranced around as schoolmarm.

But Ma and Pa judged, they judged every move. They left the younger ones alone and paid no heed to Ellen. She looked so sour. We called her sourpuss. Garret and me, we made enough mistakes to keep Ma and Pa busy all year. I remember what I said once to Ma, when she saw the messy kitchen and started in on me.

“Why don’t you whup Ellen? She didn’t wash up either.”

“Don’t need to give a reason.”

“Why don’t you whup Garret. He made the mess.”

“You heard me. Don’t need to give a reason.”

Then she threw a dish. Hit my head. I had a bump, and more to clean.

With Pa the hurt lasted longer. Here’s what I remember. “Over there.” That’s what he said, pointing. He saw the uneven lines my plow made. When I told this story to Miss Meury, I pointed, with a mean finger, to give her the idea.

I spent that night locked in the smelly chicken coop.

When I tell about the coop, I usually tell about the cemetery next, because that’s a different kind of hurt. Every December, from the time I was little to the time I left the farm, us Garretsons took the wagon or the sleigh for our yearly visit to the cemetery, first to visit Stephen, Cornelius, and Abraham. They died long before. They were ghosts to me. I remembered the gloom of the cemetery, and the silence. The whole family stood around those graves, but I never heard a cry. Even Ma stayed quiet. I told the story, just like this, to Miss Meury. But I told it again, later, to those men who came to the prison to check my sanity.

Penelope Wykoff Garretson

I was born a Wyckoff, Penelope Wyckoff, and I felt that in my bones, even when the other farm folks called me Ma Garretson. As a Wyckoff, one of the prettiest of the Wyckoffs I’m not shy to say, I lived better than lots of the villagers in central New Jersey, certainly better than the Garretsons. I had five years of schooling and new dresses for the dances each year. I can’t remember what I saw in Isaac Garretson when we married on February 5, 1841. We slept together that night. I birthed Stephen nine months later. Then comes the sing-song litany. When I was still nursing Stephen, Garret was born. And while I was still nursing Garret, the twins were born. Then the twins died and I had only Stephen and Garret. Then Stephen died and I had no one but Garret until Ellen was born. Then Martha. Some call her Mattie. Then Peter. Then Matilda. Some call her Tillie. Then Eliza. Then Garret died. Then Eliza died. Were there more births than deaths or deaths than births?

During the worst of the birthing and the burying, Isaac got real bad. He always had a temper, I knew that, but it got worse. Maybe because the farm was failing, or almost failing. The banks in New Brunswick—that was the nearby town—wouldn’t lend him money. Those bankers knew him, knew he was a risk. Then the gambling started. Horse racing. It’s a miracle he didn’t lose the farm at the track. I didn’t tell anyone, not even my sisters, about the gambling, and I certainly didn’t tell them that the bed didn’t help any. No time for shagging. Isaac pulled me to him at the end of a day. The bed was always cold because he never cut enough firewood. I rolled away most days, not all. Knew it couldn’t be all. So tired. There were no strapping boys to help with the farm, no girls either for a while.

As Garret grew tall and Ellen and Mattie grew some, I sent the children to the schoolhouse. It wasn’t much of a school, just a one-room unpainted cottage shared with the post office, with that awful Mr. Washburn in charge. It was what we had. Isaac thought school was no use and kept Garret and the girls back as much as he could, especially in the spring. He needed them for the farm and the truth was I could use them for housework and milking and such too. Garret didn’t mind skipping school. He was fine with farm work, but Ellen and Mattie fussed and attended more days than Garret did. I worried that Garret struggled to read and write, while the girls managed pretty well. Ellen and Mattie read when there was a need and Mattie was good with her numbers. At age nine she was already helping Isaac with his messy ledgers.

I was no fool—I knew what went on in that school. The few times I went to pull out Garret midday for plowing, that teacher, that Mr. Washburn, looked uneasy when I entered the room. He stood straight as a ramrod, looking at me, grimacing. His fingernails were clean and his collar was starched. I reckon he saw that my fingernails were filthy and my muslin dress was soiled. Washburn didn’t remember that my children, the Garretson children, were Wyckoffs just as much as they were Garretsons. He saw their threadbare clothes and treated them like dirt. Had Garret chop wood and the girls haul water, while those stuck-up Neilson girls, always with those silly smiles on their faces, sat around in their pretty dresses, snickering at the others. First, I didn’t think the snickering bothered anyone except me. Then I saw Ellen and Mattie fussing with their clothes before school, pulling the fabric around their frayed elbows to the inside, and I knew they felt bad.

I wanted to raise my children, at least my daughters, like Wyckoffs. With Isaac thinking he was in charge, that wasn’t going to happen. At least the girls knew the difference, knew there was something better than this miserable farm. But me, Ma Garretson they called me, I was stuck.

***

Excerpt from The Murderess Must Die by Marlie Wasserman. Copyright 2021 by Marlie Wasserman. Reproduced with permission from Marlie Wasserman. All rights reserved.

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Author Bio:

Marlie Wasserman
Marlie Parker Wasserman writes historical crime fiction, after a career on the other side of the desk in publishing. The Murderess Must Die is her debut novel. She reviews regularly for The Historical Novel Review and is at work on a new novel about a mysterious and deadly 1899 fire in a luxury hotel in Manhattan.

Catch Up With Marlie Wasserman:

www.MarlieWasserman.com

Instagram – @marliepwasserman

Twitter – @MarlieWasserman

Facebook – @marlie.wasserman

~~~

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

~~~

Join In To Win!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Marlie Parker Wasserman. There will be 1 winner of one (1) Amazon.com Gift Card (U.S. ONLY). The giveaway runs from August 16th until September 12, 2021. Void where prohibited.

a Rafflecopter giveaway

 

Get More Great Reads at Partners In Crime Virtual Book Tours

#BookTour “An Untidy Affair: A David Blaise Mystery” by MB Dabney


An Untidy Affair: A David Blaise Mystery
by MB Dabney

About An Untidy Affair

An Untidy Affair: A David Blaise Mystery
Suspense/Mystery
1st in Series
Publisher ‏ : ‎ Per Bastet Publications LLC (June 25, 2021)
Paperback ‏ : ‎ 280 pages
ISBN-10 ‏ : ‎ 1942166761
ISBN-13 ‏ : ‎ 978-1942166764
Digital ASIN ‏ : ‎ B097YPJYWN

Struggling Philadelphia private eye David Blaise gets two routine but unrelated cases on the same day in May 1985 – the day city police firebombed the MOVE house, which killed 11 people and destroyed an entire neighborhood. When Blaise starts following a cheating husband and searching for a missing person who may not actually be missing, he also discovers his cases may be related, and that he is being followed. When his tail is murdered, implicating the P-I, Blaise must find the true killer before he is literally buried alive.

About MB Dabney

MB Dabney is an award-winning journalist whose writing has appeared in numerous local and national publications, such as Indianapolis Monthly, NUVO, Ebony magazine, Black Enterprise.com, the Indianapolis Recorder, and the Indianapolis Business Journal.

A native of Indianapolis, Michael spent decades as a reporter working at Business Week magazine, United Press International and the Associated Press, the Indianapolis Star, and The Philadelphia Tribune, the nation’s oldest continuously published Black newspaper, where he won awards for editorial writing.

He has co-edited two anthologies — Decades of Dirt: Murder, Mystery and Mayhem from the Crossroads of Crime; and MURDER 20/20 — and has published numerous short mystery stories, including Miss Hattie Mae’s Secret (Decades of Dirt), Callipygian (The Fine Art of Murder), and Killing Santa Claus (Homicide for the Holidays). An Untidy Affair is his first novel.

The father of two adult daughters, Michael lives in Indianapolis with his wife, Angela.

Michael took a few minutes out of his busy schedule to do a Q & A for us!

Q & A with author MB Dabney

I can tell from your bio you’re no stranger to writing, yet this is your first full-length novel. Is this something you’ve always wanted to do or a new direction for you?

When I started writing fiction nearly 15 years ago, it was basically a new direction. I wrote the first draft of a Star Trek novel back in the 1980s, and started work on a suspense/thriller in the 90s, but I didn’t really focus on writing fiction until the mid-2000s as I started to wind down work as a daily journalist.

 Describe your protagonist, David Blaise.

David is a tall, lean, light-skinned Black man just reaching his mid-30s. He’s lived in Philadelphia his entire life, except for his years in the Navy as an intelligence officer. He is single and, as he struggles to make-a-go-of-it as a detective, has become a bit of a loner, though not by choice. He is smart, hard-working, kind, and a do-the-right-thing sort of guy in a general sense, though he is willing, sometimes, to do something that’s ethically questionable. A failing is that he can be myopic – so narrowly focused on a task that he can miss important information just off to the side. But he is often under-estimated by an opponent. Both his parents are dead. The oldest of four children, he has a difficult relationship with his two brothers and dislikes his brother-in-law. But he’s very close to sister and absolutely reveres his grandmother. He lives and works in West Philadelphia but has Sunday night dinner with his family in North Philly nearly every week.

 Do you write full time, or do you also work outside the home?

I’m retired and don’t work outside the home.

 What is your work schedule like when writing a book?

While I work on short stories throughout the year, as well as re-write and edit full-length work, I generally only start a novel in November, during National Novel Writing Month. The goal of finishing the first draft of a novel in 30 days is a great motivator. During NaNoWriMo, I dabble at writing a little throughout the day, time permitted, but really sit down and focus after about 8 p.m. until around 1 a.m. An Untidy Affair was my first attempt at National Novel Writing Month back in 2009 and I finished the first draft in 18 days.

I listen to portions of movie soundtracks as I write.

Are you self-published, traditional, or hybrid?

Something of a hybrid, I think. I have a small, traditional publisher in southern Indiana but she works through KDP Select in Amazon

What do you do when you’re not writing?

In addition to reading, I love to walk. Gives me time to imagine stories that I can work on later. I love Star Trek and auto racing, especially Formula 1 and Indycar. I play tennis, but not often enough, and I enjoy traveling. Can’t wait to go abroad again.

Do you have pets who “help” or inspire you?Pluto

No, certainly not as inspiration. But for 17 years we had a dog named Pluto, who, sadly, died last December. Pluto would sit at my feet when I was writing. And I certainly do miss that.

As a child, What did you want to do when you grew up? 

I wanted to be a lawyer and I considered law school well into my 30s, long after I started working as a reporter. But I never took any serious steps to do it.

What’s your next project?

I’m working on a prequel to An Untidy Affair that I plan to deliver to my editor by the end of the year. And if I’m far enough along with the prequel by then, I’ll write a novel in November and put it on a shelf to re-write later. If I do it, this year’s novel will be about an American driver in Formula 1.

Do you have any advice for new authors?

Keep working on developing your craft and don’t ever give up.

Many thanks to Michael Dabney for stopping by today. Scroll down to check out his book links and don’t forget to enter the giveaway for a print copy of An Untidy Affair. (US Only)

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